James Phelan’s Three Judgments in George Eliot’s Middlemarch
نویسندگان
چکیده
George Eliot, well-known as one of greatest realists in the 19th century, weaves multiple narratives her representative work Middlemarch, presenting vividly realistic picture society between 1829 and 1832. The narrative clue love affair Dorothea, Casaubon Will Ladislaw permeates whole story, which attracts attention numerous scholars with fruitful, inspirational studies. However, few numbers delve into controversial issue Casaubon’s “will” story to analyze moral values thoughts expressed by implied author. Thus, paper attempts borrowing concept three judgments proposed James Phelan figure out how author expresses interpretative, ethical aesthetical judgements means distinct narrative.
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این تحقیق کوشیده است با انتخاب پنج رمان از میان آثار برگزیده، «چارلز دیکنز»، «جورج الیوت» و «توماس هاردی » و با رویکردی تطبیقی به بررسی درونمایه ی «ازدواج» در آثار این سه رمان نویس بزرگ دوره ی ویکتوریا بپردازد. فرضیه ی اولیه ی تحقیق این بوده است که چارلز دیکنز (1870- 1812) با زبانی شوخ و گزنده، جورج الیوت(1880- 1819) با نگاهی آموزشی–اندرزگونه و توماس هاردی(1928- 1840) با رویکردی تلخ وانتقادی به...
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ژورنال
عنوان ژورنال: Journal of Language Teaching and Research
سال: 2021
ISSN: ['1798-4769', '2053-0684']
DOI: https://doi.org/10.17507/jltr.1202.06